By Brian Lafferty
June 20, 2011 (San Diego) – If Henry Jaglom made a movie about a young man’s sexual discoveries the result might have been something like Twelve Thirty. Jaglom didn’t direct it, but it feels like a Jaglom film. It’s talky, self-indulgent, shot with a handheld camera, and is a supposed deep character study. All that's missing are David Proval, Zack Norman, and a liberal use of the zoom lens.
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